A reflection on love, violence, power and betrayal
Christopher Marlowe’s Edward II, one of the earliest English history plays, gets an all-female makeover by Alex Pearson Productions, in association with Glass Splinters, at Jack Studio Theatre, writes Melina Block.
Despite its 16th century playtext, the dynamic and articulate manner with which the story is communicated by the cast ensures that the rather complicated tale of King Edward II’s rather complicated reign over England is clearly expressed.
Elinor Machen-Fortune is by far and away the star of the show, stealing every scene she appears in. Her strong performance and comedic timing injects life into a production which can, at times, feel somewhat flat. Portraying multiple characters, it is her turn as Gaveston, the king’s loyal and beloved companion, that is particularly commendable.
Gaveston and Edward’s love, easily the most interesting – and widely discussed – aspect of the original play, is elevated by the direction and dramatic choices in this production. The treatment of their homoerotic relationship, the catalyst for the tragic events of the tale unfolding, is handled in a refreshingly modern way, highlighting the intriguing tensions between subverting social norms and adhering to regressive and, for a 21st century audience, outdated perspectives on queer relationships, that are present in Marlowe’s writing.
With exciting, pulse-racing fight scenes and a plot full of political intrigue and scheming to a level that rivals even Westminster, Edward II is a surprisingly relevant reflection on love, violence, power and betrayal.
Brockley Jack Studio Theatre, 410 Brockley Road, London, SE4 2DH until 18th April 2026 at 7.30pm.
Box office: www.brockleyjack.co.uk or 0333 666 3366 (£1.80 fee for phone bookings only)
Tickets: £17, £15 conc., 14+.
Running time: Ninety five minutes with no interval
