An inspiring piece of theatre
Niall Ashdown’s one man show balances wry observations with genuinely touching insights as he takes a look back at the people and moments that have shaped his life, writes Melina Block.
Told through a mix of songs, poems, and monologues, Five Pianos is a sharp, witty production by a man whose knowledge and appreciation for the arts consistently shines through.
Watching this performance unfold feels almost like taking a peek at Ashdown’s journal, as an amalgamation of memories are explored and unpicked. One second we are hearing a rendition of Ashdown’s original musical accompaniment to Wendy Cope’s From June to December Summer Villanelle, the next hearing about the highs and lows of formative romances.
The level of vulnerability required to present such a deeply personal show is laudable, and the risk pays off. Ashdown reflects with almost shocking honesty on the complicated and confusing moments that make up a life, with his particularly dry sense of humour giving way at times to earnest recountings of heartache, loss, and desire.
Having clearly honed his craft and passion for music, theatre, and writing, Ashdown feels like a real embodiment of creativity – someone who has no choice but to make art inspired by and in response to the world around them. His biting sarcasm and self-deprecating humility feel rather English, as well as preventing the production from veering into self indulgence.
Thoroughly intelligent and well-paced, Five Pianos is an inspiring piece of theatre, filled with all the joy and heartache of a life well lived.
Brockley Jack Studio until 7th February.
Booking: https://brockleyjack.co.uk/jackstudio-entry/five-pianos-2/
