A Whirlwind of Confusion and Madness
Shakespeare’s Globe presents The Comedy of Errors as part of its 2024 Summer Season: ‘Feel Alive’. Co-directors Naeem Hyatt and Sean Holmes offer a straightforward rendition of this early Shakespearean comedy, staying close to its traditional roots, writes Bella Christy.
Long ago a shipwreck separated Egeon, a merchant from Syracuse, from his wife Emilia and one of his twin sons (both of whom are named Antipholus). The sons were separated with another pair of young twins (both called Dromio – you can see where this is going).
One set of sons grew up in Syracuse whilst the other dwelt in Ephesus. That is, until Antipholus of Syracuse sets off to find his long lost brother. The rest of the play descends into a whirlwind of confusion and madness, driven by a series of mistaken identities.
The staging and interpretation of the comedy adhered to tradition. While this approach isn’t inherently negative, it lacked originality and there was a disconnect from the contemporary. The production was without the innovation or fresh perspective that could have made it groundbreaking.
This was especially disappointing when in comparison to last summer’s season. As You Like it, in 2023, offered a current and relevant reimagining of Shakespeare, making this year’s offering quite underwhelming.
The duo of Dromios – Dromio of Syracuse (Martin Quinn) and Dromio of Ephesus (Sam Swann) – did bring a cheeky charm to the stage. Their frustrations and exuberance eliciting laughter as they are repeatedly sent on errands and then overlooked. As well as their comedic chaos, they showcase their versatility with a surprisingly tender moment during the final act, when the twin Dromios reunite.
The relationship between Dromio and Antipholus of Syracuse was the one I found myself enjoying the most, far more than any of the romantic connections on stage. There was a natural charisma and playfulness in their dynamic.
However, I felt a general lack of pull and intrigue, I felt disengaged from the characters and not truly rooting for their success. I wanted more music and more dynamics. The audience did still seem to be charmed, the beauty of the Globe and the novelty of watching a play here is still a magical experience, but I know this iconic venue has produced better.
Shakespeare’s Globe, 21 New Globe Walk, Bankside, London, SE1 9DT. Until 27th October. Times: Varied. Admission: £5 – £75
Box Office: 020 7401 9919 – www.shakepearesglobe.com
