Eccentric scripts and performances
Camberwell’s Golden Goose Theatre presents an intellectually and philosophically engaging double bill of Soviet Era plays in Charlie & Striptease. Translated and performed in English, both pieces were originally written by Polish playwright Sławomir Mrożek during the 1960s and 70s. The contemporary relevance is obvious, resulting in an interesting – if at times slightly on the nose – exploration of fanaticism, authoritarianism and mass surveillance, writes Melina Block.
More than a bleak examination of social issues, both plays are overtly satirical, drawing plenty of hearty laughs from the audience. The cast all give impassioned takes on their roles, clearly deeply immersed in the play texts, with Kenneth Michaels’ wickedly charming turn as the unhinged Grandpa in Charlie a particular highlight. The rest of the performances are articulate and clearly expressed, ensuring that the deeply political messaging is never obscured, although the pacing could do with some tightening to elevate the dramatic impact of both pieces.
The second play of the night, Striptease, was overall the stronger of the two. With more cohesive acting and staging, it is an intriguing debate around the concept of the self and freedom within oppressive structures.
Part of a doctoral project on the Central European of the Absurd, the night definitely leaned more towards feeling like a presentation of ideas and theories via the stage than a wholly theatrical experience – not necessarily a bad thing, just something to keep in mind.
While the eccentric scripts and performances may be difficult to access, Charlie & Striptease provokes some seriously timely questions – with just enough laughs along the way.
Golden Goose Theatre, 146 Camberwell New Road, London,SE5 0RR until May 9th.
Booking and full details: https://www.goldengoosetheatre.co.uk/
