An uplifting, lavish and veritable feast for the eyes and ears
This version of the Cole Porter comedy musical, centres on Tracy Lord (played by Helen George) a headstrong socialite, who has decided, somewhat impulsively, to marry a dour accountant George Kittredge (David Seadon-Young). Her sparky younger sister Dina Lord (Naomi Pacquette), concerned mum Mother Lord (Josefina Gabrielle), and witty, cheeky Uncle Willie (Nigel Lindsay) advise her against doing so, writes Linda Emmanuel.
This match is not one made in heaven. Enter her lovelorn, ex-alcoholic, ex-husband Dexter Haven (Julian Ovenden) to confuse matters further. Undercover “Bolshevik” reporter Mike Connor (Freddie Fox) along with impressed photographer Liz Imbrie (Carly Mercedes Dyer) had threatened to publish scandalous news about Tracy’s philandering father, Seth Lord (Malcolm Sinclair), and now they’ve managed to gain entry to the pre-wedding party being held that evening at the Newport mansion with the help of Dexter.
Designed by Tom Rogers, the set is an ornate and impressive affair, with its sweeping staircases and balcony. Skilful stage craft enables the set to flip from ballroom, garden and swimming pool quickly, allowing the story to flow. The costumes, designed by Jon Morrell, are beautiful, filling the stage with a kaleidoscope of 1950s style pastel and jewel-coloured glamorous gowns and dinner suits. A proper treat for lovers of fashion of the era.
The songs of Cole Porter, loved by the audience, include Now You Have Jazz, sung by Nigel Lindsay with a perfect jazz band on stage, Just One of Those Things, Who Wants to Be a Millionaire? and Well, Did You Evah! accompanied by the orchestra, which was an absolute pleasure to hear, no note was missed or played out of place. The choreography by Anthony Van Laast was joyfully executed by the talented dancers and served to lift the audience’s spirits even further. Though splendid, the dancing for Let’s Misbehave could have been a lot naughtier.
With the book by Arthur Kopit, we follow a story that, at its heart, is about love, with themes of alcoholism, infidelity, trust and forgiveness running through it. Rachel Kavanaugh directs a slick and talented cast with a light touch, which is a welcome distraction. A much needed 2 hours 30 minutes of respite in these chaotic times.
Churchill Theatre Bromley until 10th October and on tour until 14th November.
Booking and full tour details: https://highsocietymusical.com/
