Review – Macbeth – The Globe
The students’ zest added huge energy Each year, The Globe stages a production specifically aimed at young people, with the laudable goal of making…
The story that Dickens left out
“If you knew my story, your heart would break too” Havisham is Heather Alexander’s powerful one-woman show exploring the back story of the reclusive…
Review: WRESTLELADSWRESTLE – Battersea Arts Centre
An admirable and fun performance Jennifer Jackson uses theatre, dance, judo, and a confusingly large ensemble of women to take us through her memories…
Review: Siena: The Rise of Painting 1300-1350
The Devil is in the Detail A missing 12-year-old boy has been located in the gallery but there’s no need to alert the museum…
Review: The Seagull – Barbican
“Who’s up for a bit of Chekov?” Not everything called comedy in the theatre is necessarily funny but this version of Chekov’s ‘The Seagull’…
Review: Château Farci – White Bear
Set against the backdrop of a crumbling French château, David Shireff blends comedy and drama in Château Farci. Providing an intimate insight into toxic…
The Rock & Roll Public Library
Mick Jones’ Punk Archive & The Clash’s Legacy For fans of music, punk, and pre-digital pop culture, The Rock & Roll Public Library (RRPL)…
Review: Alterations – National
Not tailor-made for the National but still a good fit Alterations is a 1978 play by Michael Abbensetts(with additional material by Trish Cooke) that…
Review: Three Sisters – The Globe
Is knowledge important or superfluous? A big production in a compact space, Chekhov’s Three Sisters offers no doubling up of roles, one role per…
Review: More Life – Royal Court
Live forever or switch off? It is 1803, and murderers are hung, spirited away and dissected by surgeons seeking to know more about the…
Humbled by Heroes on the Bermondsey Mile
Portraits of Today’s Everyday Heroes When a collaboration between protein drink maker ‘For Goodness Shakes’ and Marvel Studios come together to mark the release…
Review: Churchill in Moscow – Orange Tree Theatre
Cleverly littered with historical detail Tom Littler’s production of Howard Benton’s Churchill in Moscow gives the audience a front-row seat at the very unsteady,…


















